The Hills. The Show.
How easy it is to become so focused on details, that
we miss the larger picture. This is the
sixteenth post here at The Lost Canyon Project, and it occurred to me just last
week that no one, outside of Pete’s friends, and a few local viewers knows
where these Whittier Hills are, or what makes them special. So let’s have a
look.
First, let’s go to Google Earth and pin down our location.:
Here, in the red outline, are the Puente Hills. This part of
the range takes in LaHabra Heights, and the Whittier Hills. Here's a closer view. (click to enlarge) Notice the tiny red circle to the left of "Hacienda Hills" in the upper left corner of the hills. It marks the pagoda you will see in subsequent photos:
Pete found magic in the details of this small region. It is the subject of the vast majority of his work. Here are some pictures taken in the Powder Canyon area of what is now Schabarum Park above La Habra Heights.
Pete found magic in the details of this small region. It is the subject of the vast majority of his work. Here are some pictures taken in the Powder Canyon area of what is now Schabarum Park above La Habra Heights.
Notice here the difference in the two canyon walls. The South
wall (left) faces north, and is much greener, and more thickly grown than the North wall
which has its face south to the sun.
This has been a remarkably wet year here in Southern
California, and the hills are on their way to blooming as lush and green as
they get. Nonetheless I have not been hiking up there yet. I’ll get up there
soon, and take some pictures.
These pictures of La Habra Heights, and the Whittier Hills are from
several years ago. This picture (below) is the Turnbul Canyon area in Whittier, west of Schabarum Park .
While much has been preserved, much more of the hills has
been lost. Remember the tiny red circle in the satellite picture? Here is the pagoda at Rose Hills Cemetery.
This view was taken in 2009. The Lost Canyon was around here somewhere... Ironically enough, the Rose Hills cemetery devoured more of the hills than the home builders. Here is a close-up from the satellite photo with the pagoda in the red circle just to the left of "Hacienda Hills". All this land is strip-mined
for expensive grave sites.
A final note before we move on to the performance of “The
Lost Canyon Trip”. Where, exactly was the “Lost Canyon?” We’re still not sure,
but Pete wrote volumes about his adventures in the hills. I’m playing detective
as best I can. More on this later.
But back to the show:
Coincidence. Odd coincidences continue to cluster around this
project. I was going to dig through the notebooks, and writings to search out
a few things on the show, in Pete’s own words. As it turned out, yesterday I opened
the closet where I have the not-yet photographed boxes and bags of paintings. I opened a black plastic
trash bag, and found this sitting on top of everything. Thanks, Pete!
If you had been around the La Habra / Whittier area in the
mid 1960’s to the mid 1970’s you may have seen this flyer tacked to a telephone
pole.
This particular showing was at “The Gem”, which was a school auditorium in La Habra Heights. (probably the best venue for the show) Other showings were held in the El Cerrito Elementary School cafeteria, or in various church basements around town. The first showings were held in Pete’s parents’ garage.*see note
This particular showing was at “The Gem”, which was a school auditorium in La Habra Heights. (probably the best venue for the show) Other showings were held in the El Cerrito Elementary School cafeteria, or in various church basements around town. The first showings were held in Pete’s parents’ garage.*see note
Imagine then, that you paid your two and a half dollars for a ticket to The Lost Canyon Trip. You would probably show up to an elementary school, or a church basement in Whittier or La Habra. In the front of the cafeteria room there would be Pete’s
three-section screen, with his speaker boxes on the side.
There would be a few dozen folding chairs, with a center aisle. Pete’s table with the
tape recorder, and slide projector were, of course, at the back.
The lights would go down, the audio-tape would roll, and Pete would work the slide projector. He knew by heart all the places to slow the sequence, speed it up, hold on a particular image- turn up the volume on the tape, or soften it slowly, all to keep pace with the narration. In the midst of all this he would provide some sound effects live during the performance. Pete had amazing talent doing bird calls, frogs, and sounds of all sorts.
The lights would go down, the audio-tape would roll, and Pete would work the slide projector. He knew by heart all the places to slow the sequence, speed it up, hold on a particular image- turn up the volume on the tape, or soften it slowly, all to keep pace with the narration. In the midst of all this he would provide some sound effects live during the performance. Pete had amazing talent doing bird calls, frogs, and sounds of all sorts.
Later when he invented his smell machine it added another
layer of complexity to the show.
Dee Gayer was Pete’s production assistant on many of the
showings. Once again, he has provided for us some wonderful recollections:
Dee
Gayer writes:
“One of the biggest things we worked on together was saving
the “Lost Canyon”. We put together his pictures in order to present the
“Lost Canyon Trip” so other people could see thru his slideshow what the Lost
Canyon looked like. We put numerous slides together and got a fog machine so
they could get the full experience. He would say that we were going to show it
in 4D complete with smellavision. When we finally did the show he was behind
the projector narrating and making different bird calls, sounds and noises
while I worked with putting scents in the fog machine to give the full 4D
effect. You saw the pictures, heard the sounds and smelt the scents of the as
well as saw the fog from the fog machine. It was definitely an experience nobody
that ever saw it would ever forget. The whole idea of smellavision would be
considered unique even with today’s technology. Pete Hampton was definitely way
ahead of his time with his recording sounds so he could learn to do them and
using different scents and sounds in his “Lost Canyon Trip”.”
It was a small, funky, very home-made production. The names on this credit picture are pre-teen neighborhood kids (including my brother) who helped Pete out in some way. I'll have more on this curious panel next week.
The show was brilliant. It was terrible. It was a window into Pete's strange genius.
The show was brilliant. It was terrible. It was a window into Pete's strange genius.
I’ll have some more notes from Pete on the show next week, also more coincidences swarming around the project. Plus we’ll be
looking at a new archive of Lost Canyon paintings.
Next: Wrapping up the Third Archive>
Next: Wrapping up the Third Archive>
· *note: Pete
actually did a performance at a club on Pacific Coast Highway in Huntington
Beach in 1968. The place was called “The Golden Bear”. Guys like Jim Morrison
and Jimi Hendrix played there back in the day.
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