Monday, April 29, 2019

A Rock in the Stream




A Rock in the Stream





Last week we were talking about milestones- important times, like the late 1960’s or events, like first loves, that mark points of internal and external change. And that turn of discussion coincided with the completion of the first phase of the Lost Canyon Project. The first eight archives of Pete’s work have been photographed catalogued, boxed up, and returned to the storage locker. The catalogue currently numbers four hundred and two paintings, drawings, and sketches recorded so far. 


 I under-estimated the amount of work still waiting to be recorded. I returned from the storage unit with four heavy boxes, and a bag of larger unframed paintings. One box of large framed pieces remains in the locker.
Two of the boxes are paintings from The Lost Canyon Trip, one is marked Bygone Oilfields, and one is the Lost Era collection. 


Pete packed these up a long time ago. The most recent date I found on the newspapers wadded up for padding was 1982. I looked through all four collections. There is some incredible stuff here, and it hasn’t been seen since forever.


And speaking of stuff from so long ago- I was sharing some recollections from back in the day, particularly from around ’68. I was talking about Pete, the Hippies, the girls, and the whole  vibe of that small slice of time. When I said that the Hippies, such as they were, adopted Pete as one of their own, I did not mean to imply that Pete himself was a hippie. Pete was Pete.  And the “hippies” after all were mostly young folks following a current fad, essentially no different from any other kids of any other time. Long hair, and Nature, and being freaky were cool just then. Pete would have had all that regardless. He was a rock in a stream of changing fads. For most of the kids the long hair, and peace signs would go the way of disco. Within a few short years, the hippies moved on. Pete remained Pete.


And the girls?  Gay was only the first link in a long chain of heartbreak. Women, for Pete, would be the source of an unending spiral of grief. Pete could put on the charm, in his own peculiar way. He could give the impression of a wild, free spirit, in tune with nature, sensitive to beauty, and creative in the extreme. And it wasn’t an act. Pete was all that.
But if Pete seemed charming, and magical at first meeting, it would not be long before the more difficult facets of Pete came to light. There was nothing creepy, or kinky about Pete, but emotionally he could be needy as a child.


As I mentioned much earlier, there were great swaths of Pete’s personality that seemed frozen in single digit years. As an acquaintance, Pete could be great fun. As a friend he could be difficult, as a  partner, impossible.
He fell hopelessly in love with just about every girl who dated him. The girls would all too soon disappear, and Pete took to alcohol to kill the pain.
I was a teen-age kid in 1968, and, like all my high school pals, a wannabe hippie. Again, the odd strands of coincidence were connecting even then.
Last week I posted a picture of Pete with a couple of his pals, Dee Gayer, and Tom Malloy. Dee shared some of his recollections  earlier, and I hope to hear more from Dee in the future. I knew Dee’s younger brother, Kerry from school. Kerry introduced me to Jeff Goslowsky. One teen age afternoon, Jeff and I were in search of a buzz, and I remembered that I had a friend who was over 21. Jeff had his license, and we drove over to Pete’s house.


And here’s where the gap in ages stretched the widest.  It didn’t take long before Jeff and I met Pete’s new friends. These guys, Tommy, Dee , and others, were just 21. To them Jeff and I were pesky teeny boppers, and too young to be of much interest. But our age didn’t matter to Pete, who was already pushing thirty, and getting a little old for the ‘scene’.
If Gay turned out to be the first in a long list of heartbreaks, Jeff would serve as a sort of counterbalance. Jeff and Pete hit it off, and Jeff would, in the coming years, prove to be a true, and loyal friend to Pete, and the Hampton family. 



Next week we’ll have some recollections from Jeff Goslowsky, and a preview of the stuff in the next  archive. I took a quick look, but only a quick look through these collections. Hold on to your hats. There is some incredible stuff here.


Next : The Dead Dog Archive>

Monday, April 22, 2019

Milestones



 Milestones






This post, on the day after Easter Sunday, marks a milestone  in the project. As of today I have the first eight archives of paintings, writings, and miscellaneous items of Pete’s work photographed, catalogued, and boxed. Several of the files have minor sketches or illustrations that I catalogued, but did not photograph. Thus far there are four hundred and two pictures recorded.  All the material is boxed up in five large picture & mirror cartons, and ready to return to the storage locker. Tomorrow I’ll get it all over there, and bring home the next series of paintings for photography.  



I was under the impression that I had the majority of Pete’s work here in these eight boxes and bags. But I paid a visit to the storage last Friday to see how much stuff remained to be recorded.
I doubt if I’m half way through.
But like any job, the more you do it, the easier it gets. At this point in the project I have established my routines, and the work goes much more smoothly and quickly than it did at the start. Still, I have months of work ahead. 


 The paintings in today’s post are mostly from archives  five through eight, all of which are collections of Lost Canyon, and Lost Era paintings. Again we see how frequently Pete used the wide aspect ratio for these pictures, the better to fit on his “Arc-A-Vision” screen.



And I left off last week talking about my friendship with Pete during the late 1960’s. Might as well jump straight to 1968. Pete was in his late twenties. The hippie thing was in full swing. Flower Children, wannabe or otherwise were  sprouting up  everywhere. Everyone wanted to turn on, tune in, and drop out. Viet Nam, and the draft were hanging over our heads.  This was Southern California, the epicenter of the whole cultural blowout.  Pete was a natural for that age and time.  The hippies, such as they were, adopted Pete as one of their own.

  Dee Gayer/Pete/ Tommy Malloy
So did the hippie girls. Perhaps for the first time in his life the chicks actually paid attention to Pete.



He was a good looking guy. He had the long hair, the love of nature. And he was the genuine item: a really for real kooky artist with his all too natural kooky, artistic personality.  



  Soon enough, one gal by the name of Gay  got close enough to date Pete for a while, but only for a while. She was Pete’s first love, and within a few months became his first heartbreak.




October 27, 1968:
Horrible torment future prediction dream./Just before I lost little Gay- 2 weeks later- she broke up with me-An everlasting nightmare./Skeleton was the symbol of the shock of it is December 1968 and the fire was everlasting suffering mourning that evil life. “Eternity” without you, Gay.



 Dozens would follow. Pete probably got laid more than any other guy I ever knew. But all his brief affairs went pretty much the same way,  summed up here in this picture from the cloud sketch file in Archive #3.



It was on a very unhappy night 2 days after a chick named Barbara pulled a fast one on me./ Seen looking west July 5, 1973/ no rain yet since April/ The only thing I had left was to enjoy a sunset and a can of beer.

Next Week: A Rock in the Stream>